Showing posts with label Fade to black. Show all posts
Showing posts with label Fade to black. Show all posts

Wednesday, 20 February 2013

The Raw Obscenity of Tom Waterhouse & Associated Social Decays

This stinking age we live in, Christ. A return to the age of the cave looks more and more appealing. This, and I’m not even depressed. Fun Fact: I’m too bone-tired to feel depressed over the summer months because I’m busy working like a goddamned Aesop grasshopper so as I can spend the autumn and early winter months idle and unhinged, fully immersed in neuroses, woe and NRL.


And still -  through this brutal summer landscape -  blasts a drugs in sports scandal. I was very shook up and wretched for the first week following the announcement, braced for turbulence, calling and haranguing my mother spluttering IT’S NOT JUST THE RANK ILLEGALITY THAT OFFENDS -  -  and then getting rolling and shouting overwrought things like THE CLUBS HAVE FAILED IN THEIR DUTY OF CARE THOSE FUCKERS HAVE FAILED THEIR LEAGUES THEIR PLAYERS THEIR FANS -  -  spouting vicious theories regarding lax administration, festering corruption and Machiavellian plotting and then rounding it all off with some rude references to Tom Waterhouse.  
Well, why not? Waterhouse’s high visibility and shit-licker visage make him an obvious poster-boy for the unease surrounding the morphing of sport into the entertainment industry and the unprecedented extent to which it has been seduced and subverted by gambling interests and oriental fish tattoos.
And then the Raiders were named. The Raiders?? The Raiders!! They of the hapless fadeouts and injuries in endemic proportions? Is there no decency at all remaining in this heinous fucking age? These are dark waters.
But three weeks later and the whole thing has become a tremulous melodrama with unsavory political associations and the consistency of your mother’s Christmas trifle. You know, wobbly.  And here, the murk descends.
Because Australian sport is about much more than sport.
For most of us, our first and most powerful response is emotional. My earliest memory of rugby league is my big brother crawling under his bed in the manner of a dying dog after Penrith beat Canberra in the grand final and not coming out for quite some time.
And because sport is essentially human drama. I suspected this deeply at the time of that grand final loss, and adult hindsight confirms the impression.
And now, twenty two years after that Raiders Panthers game, the totally unsurprising revelation that the brutal, pigs-at-the-trough commercialisation of sporting codes has correspondingly commercialised the market for performance enhancing drugs. Professionalism gives winning an obscenely greater value than merely competing. And a win at all costs culture cultivates fertile soil for corruption. All of this is a rank affront ; the shadow, the murk, the stupidity, the limping bullshit, the lies. We are all under our beds now.


Friday, 17 August 2012

Cameron Frye. I am him.

Having a birthday in a few weeks. Turning thirty.
Birthdays aren’t just ‘birthdays’, of course. Not for adults. They are corrosive mental ordeals; brutal philosophical examinations of the self, annual opportunities for taking inventory of all the time you waste on menial but terribly taxing tasks like standing in line at the post office collecting parcels containing things you don’t remember buying on eBay probably because you make many of your purchases in the dark pre-dawn gloom during dark nights of the soul of which there are evidently many.
This turning thirty business is a bitch any way you look at it. Collapsed youth and raw adult reality collide. A mess is made, a silent soul-stink that rises.   
I feel like a vacant block that’s been burned and left empty. I feel like Cameron Frye.

Here’s something that’s never really made very clear: there is a lot of maintenance work involved with mental health, a lot of up-keep. There’s no end point. It’s ongoing, eternal. It can be overwhelming. Insight is encouraged. You are supposed to closely monitor the way you feel, keeping on top of mood changes and paying close attention to fluctuations and such. This can be difficult if part of your problem is that you don’t much like to feel things, and what you do feel is based on control and denial.  
It can also be exhausting, boring, tedious, circular.  You get a grip, but then you have to maintain.
And you don’t want to talk to anyone about it because you know it will only unnerve them and make you feel even more misunderstood and awkward and neither of these outcomes hold any appeal whatsoever so you say “Oh, I’m alright, I’m okay” and hope you’re holding the soul-stink down. And hope that you don’t have to hear people’s voices shrink and go small with sympathy.
Cameron Frye understood this. It is why he wanted to remain in bed. He was lying in bed on his back genuinely mourning the fact that he was not dead.

Even when Ferris got Cameron out of bed and into the streets and he relaxed some and appeared to enjoy the fact that he was not dead it was clear that his emotional constitution and complex, fragile psyche may have been altogether too delicate to withstand the rigours and ravages of life beyond high school graduation.
He was a teenager but he already reeked of oblivion.  

 My favourite scene in Ferris Bueller’s Day Off:
Ferris: “I’m so disappointed in Cameron! Twenty bucks says he’s in his car right now debating on whether or not to go out.”
Cameron: [Cameron is in his car] “He’ll keep calling me; he’ll keep calling me until I come over. He’ll make me feel guilty. This is uh…This is ridiculous, ok I’ll go, I’ll go, I’ll go. I’ll go. What – I’LL GO. Shit.” [Turns the engine on then turns it off and hits the passenger seat.]
Cameron: “God Damnit!” [Turns the car on and revs it up.]
Cameron: “Ahhhhhhh! Shit!” [Gets out of the car.]
Cameron: “That’s it!” [Paces behind the car and jumps up and down in frustration.]


I like it ‘cos it’s me most days.
Phillip K Dick was this tweaked out science fiction author who wrote the stories that Blade Runner and Total Recall were based on and lived an astonishing ramshackle life and claimed, among other things (‘other things’ being that he was alive and everyone else was dead) that his car would only run between home and his psychiatrist’s office. Take it anywhere else, he said, and it would steer itself right into an accident.
Cameron: [Intoning] “When Cameron was in Egypt land LET MY CAMERON GO”.
Fade to black. Or beige, depending on your personal preference and the intensity level of your perpetual discomfort that annihilates all other thoughts and ambitions.